Soil Testing at El Zaguán - Santa Fe Extension Master Gardeners

The Santa Fe Extension Master Gardeners, along with our gardener Linda Churchill, are the caretakers of the El Zaguán Garden located at 545 Canyon Road. In their recent newsletter, they published a piece showing the results from their recent soil analysis. You may read the entire article below or click the images to download. Find the 1991 pollen study here. Please note that the garden is referred to as the Bandelier Garden, a name that no longer is attributed to the garden at El Zaguán.

Historic Buildings and Sites of Santa Fe

An article by Pete Warzel

Kim Strauss, our good friend who commits much of his time to the Randall Davey House at the Audubon Center and Sanctuary, Santa Fe, sent me a pristine copy of the 1962 pamphlet Historic Buildings and Sites of Santa Fe. The cover price was 10 cents, and he promises he did not pay much more for it. 

Timing is everything, and we have included a pdf version of the HSFF published pamphlet in this article for your education and entertainment, since this was the pre-cursor to the first edition of our iconic book, Old Santa Fe Today, to be published in its elegant new fifth edition by the Museum of New Mexico Press in Spring 2022. We are eagerly awaiting the new copy, so long in coming with so much volunteer commitment and professionalism since we began the planning process. In November 2018, Melanie McWhorter and I met with Anna Gallegos and Lisa Pacheco at the Press to make our pitch and they were immediately all in.

Interior spread of the Historic Sites Brochure (click on image to download pDF of both sides of the brochure)

So, this pamphlet, what we would consider today a proof of concept, cited our first 10 Register Properties, with another eleven properties described and located on the map. Seven of those additional eleven would be added to the Register over the ensuing years. “THIS PRELIMINARY LIST of historic buildings is a small fraction of those worthy pf preservation, but by bringing to a wider audience these few first examples of Santa Fe’s truly indigenous architecture, it is hoped that these buildings and others like them may be preserved for the enjoyment of our own and future generations.” It should be noted that one of the “buildings” is not in fact a building – Acequia Madre – but was added to our Register in 1989. Another listing, not a singular building is rather a group of historic buildings - the Barrio de Analco, included in this pamphlet but added to our Register in 1964.

I find myself frequently consulting the original board minutes of the Foundation for my own orientation of how we came to be where we are now are. February 1962 is the first discussion of preliminary list of properties to be “marked” by the Foundation. In March 1962, there is a rough draft of the pamphlet with a map and key. In May 1962, the budget estimate for the printing is given as $36.00 for artwork, and a total of $225 for the entire project. A draft press release announcing the publication of Historic Buildings and Sites of Santa Fe is dated July 29, 1962, and, by September, it is reported that over 1600 pamphlets have been sold, generating many visitors to El Zaguán.

In parallel, the plaque design was in process, and so our Register and the seeds of Old Santa Fe Today were moving forward quickly, as HSFF had not yet received its tax exempt status at this point.  

Contrast that February to September timeframe to our 5th edition of Old Santa Fe Today, from November 2018 to Spring 2022. Granted, there are 96 properties included in the new book, all on our Historic Register, new photographs, new research, map-making and a massive group effort of volunteers, staff and contracted creatives. The costs are not $225 all in, and fundraising for the project  took the first half of 2020 to complete, just as we all entered a health emergency shut down.

Enjoy this electronic version of the first publication by the Historic Santa Fe Foundation, and think of it when you have the new edition of Old Santa Fe Today in hand. The #13 entry in the pamphlet states that one of the apartments at El Zaguán “…is now an office for The Historic Santa Fe Foundation, Old Santa Fe Assn., Spanish Colonial Arts Society.” One office for these three entities. I do hope they rotated their time in there in 1962.


Pre-order the upcoming Old Santa Fe Today, Fifth Edition below (due May 2022)

Old Santa Fe Today: A History & Tour of Historic Properties (5th Edition)
$40.00

Old Santa Fe Today: A History & Tour of Historic Properties

Audra Bellmore, Author
8”x10.75”, 288 pages, 173 color & 82 black-and-white photographs, 8 maps, flexi-binding
Now Available

Old Santa Fe Today is an engaging read about Santa Fe’s architecture, history, and important figures through its culturally significant properties, among them churches, government buildings, and homes. The book also serves as a walking tour guide for locals and visitors wanting to sightsee. Originally published in 1966, Old Santa Fe Today has been used by writers and scholars exploring the history and architectural significance of Santa Fe. With new essays updating the 1991 fourth edition, this fifth edition of the classic reference book also has a complete inventory of properties—now approximately one hundred—including those recently added to the Historic Santa Fe Foundation’s “Register of Properties Worthy of Preservation” since 1961. Each property entry includes revised and expanded narratives on its architecture, history, and ownership, providing social and cultural context as well. Among the Register are the former homes of past influential artists and writers such as Olive Rush and Witter Bynner. The William Penhallow Henderson House, 555 Camino del Monte Sol, was the home of the famed painter and craftsperson and his poet wife Alice Corbin Henderson. Constructed over a decade from 1917 to 1928 and designed in the Spanish Pueblo Revival Style, it would serve as a model for other artist home studios in the heart of the Santa Fe art colony. The de la Peña house located at 831 El Caminito is a nineteenth-century Spanish Pueblo adobe farmhouse owned by the de la Peña family for eighty years. Artist, writer, and historic preservationist Frank Applegate purchased the home in 1925. In the late 1930s, the National Park Service added the house to its Historic American Buildings Survey, an honor reserved for the most important historic structures in the United States.

Photographs shown here by Simone Frances, 2020 for Old Santa Fe Today, 5th edition.

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Frank Blazquez on the New Mexico PBS series, ¡COLORES!

Frank Blazquez on New Mexico PBS series, ¡COLORES!

Introduction by Pete Warzel

Sometime during the Thanksgiving holiday 2018, I read a fascinating article in The Guardian newspaper about a photographer in Albuquerque who had overcome bad personal choices and graduated from UNM with a degree in history, magna cum laude, but also was causing a stir with his portraits taken from experience with people in the ‘War Zone’ (now the International Zone) in Albuquerque. The portraits were stunning, riveting, unapologetic. They presented gang members, drug addicts, ex-inmates with their gloriously inked bodies and faces, up close and fearless. They presented people.

I knew we had to have an exhibition at El Zaguán of these photographs, as acknowledgement of a culture so alien to Canyon Road. 

Frank Blazquez came to visit us at our office and we quickly decided he would print and we would hang an exhibition for January 2019. We helped with the printing cost, but neither of us, Frank or HSFF, could afford framing, so we decided to make something raw of it and hung the large prints from industrial wire, secured to the wall by large iron nails. It worked. The sala at 545 Canyon Road came alive with the edgy energy of the War Zone.

Frank is a wise, focused, caring man, with huge talent. He has since won prizes at the Sangre de Cristo Arts Center, Pueblo, Colorado, shown at the History Colorado Center in Denver, Crystal Bridges Museum of American Art, and will be part of an exhibition at the Smithsonian National Portrait Gallery during 2022 as one of the finalists in the triennial Outwin Boochever Portrait Cempetition. He deserves it all. 

Below is a link to a segment from the New Mexico PBS series, ¡COLORES! Broadcast on January 22, 2022. The subject and interviewee is Frank Blazquez and his art.

Watch this episode of New Mexico PBS series, ¡COLORES!

 

Two Santa Fe Design and Architecture Books Reviewed

Santa Fe Modern, Interior image

Santa Fe: Sense of Place, Interior image

Santa Fe: Sense of Place and Santa Fe Modern - Reviewed by Pete Warzel
(Information and purchase link at bottom of this page)

Santa Fe design is having a season. Santa Fe Modern and now this big book Santa Fe: Sense of Place, bookend the holidays and new year. It is enough to drive the Instagram junkies of all things Santa Fe mad with photo envy. These are two sumptuous books about design elegance in the land of Santa Fe Style.

Santa Fe: Sense of Place by Jane Smith is large format, heavy with weighty paper, and wall-to-wall photographs. It is lush. Smith is a New Mexico transplant via Alabama, Chicago and Aspen, and principal of Jane Smith Interiors, a design studio specializing in residential space. Given her profession, it is no wonder that she has access to the homes portrayed in the book.

The book is a treatise on the quietude of space. The eighteen homes included add up to the sense of place that defines Santa Fe and presents its best face to a world fascinated by the style of this very unusual kingdom of New Mexico. She uses introductory essays by the owners of the houses, and so presents a more intimate approach to sense of home. “Our house speaks for itself. It has its own voice, communicated through its textures and curves, it creaks and sighs.” (Carmella Padilla and Luis Tapia, regarding their adobe home in La Cienega). Christian Waguespack, curator of 20th century art at the New Mexico Museum of Art, says in his introductory essay, “…artists and creative people have come to New Mexico to reinvent themselves, often by crafting deliberate environments through their homes.” This book presents the home as the personal.

And not surprisingly, although pure New Mexico in style, many of the details are international in flavor. African masks, Aboriginal dream paintings, modern Scandinavian furniture touches. My favorite surprise detail is a large patinaed sign of the Lamb and Flag. It sits, in the book, over a substantial oven in the kitchen of a magnificent John Meem house in Santa Fe, but in reality is a pub in Oxford, UK, where C.S. Lewis, Tolkien, and the rest of the Inklings would meet and discuss writing, literature, God and politics, over several pints of ale, if not across the street at the Eagle and Child. It all fits somehow, in the ambience of our city.

Dominique Vorillon and Peter Vitale did the principal photography, and it is magnificent in the large format of the book. Paul Baxendale is cited as a contributor to the publication and his apartment is featured as one of the homes. Paul is a resident at our El Zaguán, and his interior is a clear statement of how design can make the old adobe apartment a gem of a residence. It presents El Zaguán in its best light.

The contrast of the architecture and interiors presented in Santa Fe Modern could not be more striking, yet likewise appropriate for the geography and style of high desert New Mexico. The book presents modern architecture and interior design in another collection of spectacular homes.  Where Smith’s book celebrated homes filled with the collections of lives, Helen Thompson’s survey of the modern focuses on the spare, at times minimalist aesthetic of modern design. Both work well in the stark New Mexico landscape.

These homes include wonderful pieces of contemporary art, an eclectic mix of furniture, and the aesthetic that perhaps surprisingly, in a modernist style, says “Santa Fe.” The views over the landscape to the homes in the photos, or the views out from the rooms into the sky and piñon covered hillsides, are unmistakably New Mexico, and the fit of the structures into that geography is sound. Appropriately, the chapters for the photo-essays of the houses are titled to recall the land around them: Sky View, About Light and Time, Sight and Sounds, Out on a Ledge…. Thompson, in her introduction, opines that “The houses represent a revelation of the rightness of context (of which Santa Fe is the quintessential example)….”

Santa Fe: Sense of Place, Interior image

As in Santa Fe: Sense of Place, the cross-fertilization of styles works exceedingly well with elegant adobe architecture. The chapter “Pueblo Revival” explores the modernist sensibility of John Meem, again, with his traditional exterior and viga-ceilinged interiors crafted to “clarity and elegance”. These rooms are furnished with modernist European pieces defining a sleek, clean space that allows the great bones of the house to show through.

Casey Dunn did the exquisite photographs of these fascinating spaces. Line, distinct and straight, like nothing found in the undulating lines of the old houses, provides a literal frame to view the desert around the built-environment. Dunn places his photographs within this intriguing frame.

“Porn” has taken on a new, second meaning in the past several years, and I use it affectionately so here. “Television programs, magazines, books, etc. that are regarded as emphasizing the sensuous or sensational aspects of a nonsexual subject and stimulating a compulsive interest in their audience” so defined by Oxford Languages, the publisher of The Oxford English Dictionary. My wife watches Cavalier King Charles Spaniel porn on Instagram, I tend toward fish porn, as do my angling partners. The aesthetic of what you might love brought to you in living color, high definition, hinting at secrets, is the draw.

So these two books. We all want to see inside other people’s houses, and the homes represented in these two books are the ultimate look inside. They are creative, elegant, colorful, and unequivocally satisfying if you have any affinity for design. They are the design essence of where we live. Good form.

Santa Fe: Sense of Place, Interior image

Santa Fe Modern, Interior image

Santa Fe Modern
$50.00

Santa Fe Modern by Helen Thompson
Photography by Casey Dunn
Foreword by Laura Carpenter
The Monacelli Press
Hardcover, 240 pages
$50.00

Read the book review of Santa Fe: Sense of Place and Santa Fe Modern by Pete Warzel

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Santa Fe: Sense of Place
$75.00

Santa Fe: Sense of Place by Jane Smith
Photography by Dominique Vorillon and Peter Vitale
Foreword by Pamela W. Kelly
Introductory Essay by Christian Waguespack
Hardcover, 272 pages
$75.00

Read the book review of Santa Fe: Sense of Place and Santa Fe Modern by Pete Warzel

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The Art and Humor of John Trever of the Albuquerque: A Book Review

 
 

Review by Pete Warzel

John Trever was the political cartoonist for the Albuquerque Journal for some fifty years, as well as having his work syndicated by more than 350 daily newspapers nationwide. He retired from the Journal in 2010. This collection of his work over the years contains 426 drawings, and is rather a combination portfolio and observation, as Trever writes introductory chapters, and provides commentary on each of the cartoons included. The commentary is what ups the game in the collection.

“Cartooning is a non-credentialed profession. There is no established career path to becoming an editorial cartoonist…You don’t need a state cartoon license to practice cartooning” And, Mr. Trever most likely would not have received a license given his biting take on the New Mexico around him. In Trever’s introductory chapters he speaks of his love for cartoons and comics, and early on inspiration from the newspaper strip Pogo. At the age of thirteen he entered a contest, submitting a drawing of Pogo, and an essay about “What Newspaper Comics Mean to Me”, and won the state contest (Illinois) and then the national, flown to New York and liveried at the Waldorf-Astoria. Heady stuff for a teenager.

In spite of Trever’s comment above about being “non-credentialed”, he attended grad school at the University of Chicago with a fellowship in political science – a fitting background for his future on the editorial staff of the Albuquerque Journal. National syndication followed and this book presents the national and some of the local/New Mexico subjects, which as Trever comments provided “…no lack of cartoon opportunities to keep me engaged.”

The cartoons, and Trever’s running commentary, are a sometimes surprising look at the history of our country through 2010, the year of his retirement. The timeframe is so near…and so far away. Your memory will be jogged and jolted to recall the fear of the Y2K bug, Gore-Bush Supreme Court case, the formation of Homeland Security (there is a great cartoon showing the org chart of all the departments/agencies that were thrown in), the implementation of drug testing for high school activities, Catholic priest sex abuses (remember, these cartoons stop in 2010 – and still here haunting us), a redesign of US currency, MLB steroid use, the planet Pluto demoted, immigration reform (2006)(what?), Russian invasion of the republic of Georgia, TARP, Citizens United, the succession of Kim Jong Un. The greatest hits go on and on, and Trever captures the tone perfectly.

He does add some work from post-retirement, much closer to our memory span, as well as a beautiful section on the “Joy of New Mexico”, and one titled “Bill, Susana, and Michelle,” again with some post retirement work.  There is a great cartoon in this section where tourists, driving into New Mexico, are talking in the car and one says “The guidebook says New Mexicans are healthier than average”, and a sign on the road states “Next physician 197 miles.”

Trever ends the book, again with cartoon samples illustrating several closing essay sections that address humor in political cartoons, his own drawing regime, and finally, the future of political cartooning. And so, we will end with a pertinent wish by a veteran of the current economic and political war zone of reporting. “ Maybe someday, long after I’m gone, someone, somewhere will devise a technology, a platform, and a business plan that will attract a customer base that rewards reliable information and commentary. I hope cartooning will be a part of it.”

 The Art and Humor of John Trever: Fifty Years of Political Cartooning
By John Trever
University of New Mexico Press
Softbound, 208 pages, 426 drawings

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Tudesqui West - A Story in Preservation

Tudesqui West is located at 129 E. DeVargas Street.

Several years ago, Historic Santa Fe Foundation’s Board of Directors and staff began the implementation of a long range plan, disposing of our owned properties in order to stabilize the financial condition of the foundation for the long term, and to protect those properties with preservation easements in perpetuity. That led us to focus on the El Zaguán Master Plan to better utilize, access, enhance public education, and facilitate the telling of history of and in this iconic building on Canyon Road. This process is well underway with capital funding nicely moving forward, and the first substantial changes planned for early 2022 when we will restore a portion of the Canyon Road Community Ditch in our garden, in order to tell the story of the acequia system in Santa Fe’s economic and cultural history. The Board Room renovations will also be started as soon as possible, most likely mid-2022 given city permitting processes, which will expand our use immediately of the building, allowing the public full-time access to our sala for exhibitions and lectures while meetings can be held in our new space (former apartment) across the zaguán.

During this process in mid-2021, we were notified by the owners of 129 E. DeVargas, Tudesqui West, that a portion of their property was for sale. HSFF held a right of first refusal on the entire property, granted in 1996 by the Betty R. Caldwell Revocable Trust. The Board of Directors immediately met to discuss if a purchase was possible, the intent being to place a preservation easement on the property, and then sell, protecting the building for the future.

129 E. DeVargas is contiguous with 135 E. DeVargas, which we call Tudesqui East, both sides sharing the history of Santa Fe Trail trade in the mid-1800s, and both designated on the HSFF Register of Properties Worthy of Preservation. When Tudesqui East was sold at the end of 2019, we placed a preservation easement on the house. We now had the opportunity to protect both sides with easements, our Register plaque likewise on both sides of this historically important Santa Fe House.

Given the right of first refusal, we expected this to be an easy, quick, and efficient transaction. It was anything but, and entailed a court case which was adjudicated in favor of HSFF on all points. The Court Order, dated October 26, 2021, states it clearly:

l.    The Property is of significant historical value;
2.     The mission of the Plaintiff Historic Santa Fe Foundation is the preservation of historic culture here in Santa Fe;
3.     In pursuit of that mission, Plaintiff obtained a valid right of first refusal on the Property ("Right of First Refusal");

The result was an order to sell the property to the Historic Santa Fe Foundation, which was accomplished on December 11, 2021.

On December 29, 2021, HSFF sold the property to Galisteo Street, Inc, the original buyer of Tudesqui East in 2019, ensuring that both sides of the historic structure were kept intact with one owner. Galisteo Street, Inc. is the owner of the Inn of the Five Graces, that maintains most of the entire block from Old Santa Fe Trail west to the New Mexico Supreme Court building on Don Gaspar, in quite elegant order. The Inn has won numerous awards over the years, most recently #2 top city hotel in the continental US, and #66 top hotel in the world, from Travel and Leisure Magazine. Also, the Inn is a strong supporter of sharing the history of the Barrio de Analco, and has commissioned an historical research study of the area and the buildings along E. DeVargas Street.

Although the documents were signed on December 29, it may be a misstatement to say it was sold on that date. Incredibly, the recording of the preservation easement and subsequent recording of the deed was delayed. The detailed photographs and drawings that comprise the baseline documentation for the easement created a file that was too large to electronically transfer to the County Clerk for recording. So, old-fashioned hand delivery was in order. However, the County Clerk offices were closed from Tuesday, December 28 to Monday, January 3. The sale of the property at 129 E. DeVargas was certainly not the only transaction that although physically sold in 2021 was not finally sold until 2022. Yet another unexpected and unfortunate roadblock in a six-month series of obstructions that accompanied this real estate transaction in 2021.

We at the Historic Santa Fe Foundation are proud to have been persistent with the purchase this historic property so that we may protect it with a preservation easement and turn it around to a business that cares about the integrity of the historic fabric of Santa Fe, as well as adds significant tax revenue and employment opportunities to the city. In spite of what seemed at times nonsensical obstacles in the real estate transactions, the foundation had another opportunity to fulfill its mission for the long term…a great way to end 2021 and begin the new year.